Oral History Review Advance Access originally published online on September 13, 2009
Oral History Review 2009 36(2):255-260; doi:10.1093/ohr/ohp050
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© The Author 2009. Published by Oxford University Press on behalf of the Oral History Association. All rights reserved. For permissions, Please e-mail: journals.permissions@oxfordjournals.org
What is StoryCorps, Anyway?
Nancy Abelmann is the Harry E. Preble Professor of Anthropology, Asian American Studies, and East Asian Languages and Cultures, and Associate Vice Chancellor for Research, Humanities, Arts, and Related Fields, at the University of Illinois, Urbana-Champaign, IL. E-mail: nabelman@illinois.edu
Susan Davis is a professor of the Department of Communication at the University of Illinois, Urbana-Champaign, IL. E-mail: sgdavis@uiuc.edu
Cara Finnegan is an associate professor of the Department of Communication at the University of Illinois, Urbana-Champaign, IL. E-mail: caraf@illinois.edu
Peggy Miller is a professor of the Department of Communication and the Department of Psychology at the University of Illinois, Urbana-Champaign, IL. E-mail: pjm@uiuc.edu
"LISTENING IS AN ACT OF LOVE: A CELEBRATION OF AMERICAN LIFE FROM THE STORYCORPS PROJECT." Edited and with an Introduction by Dave Isay. New York: The Penguin Press, 2007. 284 pp. Hardbound, $24.95; Softbound, $15.00.
| The first 150 words of the full text of this article appear below. |
This review draws on conversations the four coauthors had about the StoryCorps phenomenon, which we appreciate as a provocative, contemporary example of the public use of oral narratives. Like many readers, we came to Listening Is an Act of Love through National Public Radio's Friday morning StoryCorps segment. Our discussions were inspired by: the weekly story broadcast's emotional "driveway moments," our knowledge of the Corps dedicated facilitators, the public's active participation in the traveling recording booths, and the announcement that StoryCorps interviews would be archived in the Library of Congress. What, we wondered, might StoryCorps disclose about the public uses of oral stories in the twenty-first century. As we met, Listening was published and added to our fascination with StoryCorps as a multiply-mediated phenomenon. We use this review to explore issues that, we think, reach beyond StoryCorps print form.
The "we" used throughout this review is collective, but the views